Arabian Nights Illustrated 1800-1950 by Albert Seligman
Publisher: Dulace Books
Genre: Young Adult (14 – 18 y.o.), Sci-Fi/Fantasy, Historical, Non-fiction
Rating: 5 Stars
Reviewed by AstilbeThis is a survey of the illustrated editions of The Arabian Nights, also called The Thousand and One Nights, published in England and America between 1800 and 1950. It begins with one of the earliest editions illustrated in 1802 by English artist Robert Smirke, who painted especially for inclusion in books. Following are the earliest attempts to print color plates, made from tin or copper, through the beginnings of wood blocks and photographic reproduction.
Featured are the most famous artists and illustrators of the Victorian and Golden Age, including John Gilbert, famous for his Dickens illustrations, William Harvey who engraved the wood blocks by hand, FOC Darley, the first American Brandywine illustrator, Walter Crane, the beginning of the Golden Age illustrators for his full color woodblocks.
Modern editions include Edmund Dulac, Arthur Rackham, Kay Nielsen, Willy Pogany, Maxfield Parrish, the three Robinson brothers; William Heath, Thomas Heath and Charles, Rene Bull, Charles Folkard, Gustave Dore, Frances Brundage, JD Batten, William Strang, HJ Ford, George Soper, Helen Stratton, Walter Paget, VF Sterrett, Eric Pape, and many others.
The illustrated stories include are ‘Aladdin, and the Wonderful Lamp’, ‘Sinbad the Sailor’, ‘Ali Baba and the Forty Thieves’, ‘The Enchanted Horse’, ‘Prince Ahmed and the Fairy Peri Banou, and many other favorites of the 1001 tales.
Arabian Nights fans, take note! These sketches are just as exciting as the stories themselves.
One of the recurring thoughts I had while reading this and looking carefully at the paintings and drawing was how much work went into all of it. Not only was it more difficult to get ahold of certain art supplies back then than it is today, artists didn’t have access to the types of technology that can make planning out an illustration easier. It took hours of hard work, but the results have entertained generations. Kudos to Mr. Seligman for honoring everyone who was involved in the creation of these images. I think they would be pleased to know that people still enjoy them so many decades later.
This is the second art collection I’ve reviewed that Mr. Seligman gathered together into the same book, and I was once again surprised by how beautiful it was. Due to how expensive printing was back then, I’d assumed that most illustrations from the 1800s would be in black and white, so the inclusion of examples of them that were in color was a wonderful surprise. Morgiana’s Dance was one of my favorites because of how it captured the exhilarating feeling of dancing in a colorful outfit. It’s always nice to have one’s assumptions challenged about what the past was like, and I look forward to checking out more of his work if or when Mr. Seligman can provide it.
I enjoyed reading the descriptions of the images that discussed things like how they were made and what certain aspects of them would have meant to someone living in the 1800s to mid-1900s. Cultures can shift quite a bit over time, after all, so not all of these details were necessarily things that someone would immediately recognize today. This made me feel like I’d traveled back in time to experience certain parts of the world as they used to be.
Arabian Nights Illustrated 1800-1950 was delightful.