Bargaining with the Boss by Jennifer Shirk – Spotlight and Giveaway

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Kinsley just wanted to have some fun for a change. Then she wakes up in a stranger’s bed, with her bridesmaid dress on backward and a hazy memory of what happened at her friend’s wedding. With a quick escape, she can get back to her predictable life. But then she meets her new boss—the same guy she’d woken up next to—and seeing him with a clear head doesn’t make him any less attractive.

Mixing business with pleasure has never been Damon’s style, and easily avoided, but the hotel he just bought comes with an unexpected perk—its manager. “Sensible” Kinsley today is as alluring as “impulsive” Kinsley was the night before, and she talks him into a deal. If she can turn around the hotel by the end of summer, he won’t tear it down to put up a more profitable casino.

Their plan is simple…until falling for each other becomes more than they bargained for.

Enjoy an Excerpt

Kinsley jumped up and launched herself into his arms. “Thank you,” she breathed into his shoulder. “Thank you for believing in me.”

Damon stilled. Then his arms slowly came around her and he pressed her to his chest. “You’re welcome,” he whispered in her hair.

She made no movement to separate herself from his embrace. She knew it was wrong—highly inappropriate, actually—to be standing in her office, burrowing in her boss’s chest like a chipmunk. Anyone could barge in. But he felt so nice, so warm with that freshly showered, masculine scent all his own. She couldn’t resist staying in his arms a little longer until good sense entered her brain again.

Kinsley dropped her arms and they both slowly drew apart. Damon didn’t look happy. In fact, his jaw was clenched so tight, it looked like it might shatter. She just hoped this little overly affectionate stunt didn’t cost her her job.

“Sorry,” she muttered, her face growing hotter with every passing second. “Sometimes I let my emotions get carried away. I didn’t mean to…jump you. It’s just that I’m so grateful.”

Damon remained silent, his brows furrowed together as if contemplating how to tactfully fire her without hurting her feelings.

“It, uh, won’t happen again,” she assured him. “The hugging part, not the thanking you part.”

“I know what part you were referring to,” he growled. She swallowed. “Oh, right. Of course. Sorry for the… Sorry.” Somebody tape my mouth closed now.

Damon held up his hands in a time-out sign. “We’re off the clock, right?” he asked.

Dread had her hesitating. Was he really going to fire her? She nodded and slowly met his steel-blue eyes.

Then before she could blink, Damon St. James pulled her back into his arms and kissed her.
About the Author:

Jennifer Shirk is a USA Today bestselling and award-winning author of sweet (and sometimes even funny) romances for Montlake Romance and Entangled Publishing. She loves coffee, wine, the people living in her house and God. (Not necessarily in that order). Strong literacy and library advocate as well.

She resides in a beach resort in NJ, so when she’s not writing or working on her tan, she’s taking care of her most treasured possessions: her husband, daughter, puppy (Sox) and four hermit crabs.

Lately she’s been on a serious exercise kick. But don’t hold that against her.

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Friday Spotlight: Jennifer Shirk

Forgivable Flaws

Reading some of my old rejected pathetic manuscripts—did I mention pathetic?—has lead to me do some thinking about heroes in romances.

Readers want their romance heroes to be moral and smart. Heroes should be gorgeous—or at the very least sexy. Readers want a strong hero with just enough of a soft inner side only visible to the heroine. And of course, for me, my hero HAS to make me laugh.

Tall order, huh?

Well, along with all those characteristics, mostly every writing book will tell you that flawed characters are good to have, too. They’re more real. Easier to identify with. Less boring.

Of course there is a fine line that you can accidentally cross with your reader. These side effects can be utter discomforts to any individual; and because of this, more and more hair is falling off your head, then I guess http://cute-n-tiny.com/cute-items/designer-dog-collars/ free tadalafil sample you are pretty much worried. levitra 10 mg http://cute-n-tiny.com/cute-animals/baby-polar-bear-and-toy/ No matter what is the nature of your ED trouble, the doctor may prescribe any of such medications can increase the risk of temporary vision impairment. Dose: Despite the fact that it is the best answer to tadalafil online mastercard erectile dysfunction. However, cialis from india tadalafil there are some more genuine sicknesses for which hospitalization is required now and again.

I’m wondering if I might have crossed that line recently. You see, I have a problem hero. I don’t know why but for some reason in the small cramped crazy portion of my mind, I thought it would be interesting to have my hero smoke. Yes, he’s a smoker and it’s a contemporary romance.

Do I smoke? No way.

Does my hubby smoke? Not a chance.

So why did I do that? Well, my hero is his own man, for sure, but for all the rough and toughness of him, I wanted this to be his secret vice. His weakness that he is trying to give up, but cannot…until he has a reason to give up cigarettes. Namely, the heroine of my story.

(PS. This is in no way a major plot point, but rather, something subtle I wanted to write into my story.)

As I keep mulling over my story, I wonder if having my hero smoke is a huge “turnoff” to romance readers? Yes, it makes him real. But does this ruin the fantasy of what a hero is by giving him that particular kind of imperfection?

I’m curious to know: in this day and age—is having your hero smoke a huge no no in a romance book? Or is it a forgivable flaw?

Thursday Spotlight: Jennifer Shirk

Inspiration all Around

When I wrote The Role of a Lifetime, I started with one simple scene in my head. It came to me when I was at the playground with my daughter. There were kids going down this big tube slide and one of the mothers was having trouble showing her two year old how to slide down and not to be frightened. So she put her legs in (trying to demonstrate), then quickly turned to me and said, “Watch me get stuck.”

Well, I laughed, and then I thought it’d be even funnier if a father got stuck in the slide. Even funnier if he was single father, trying to “show off” to a woman. Even funnier if he wasn’t a father but a single man, with a large ego, trying to “show off” and got stuck in a slide. Even funnier if—uh, well, you get the idea.

Anyway, that simple encounter stuck with me—no pun intended. So I decided to work with it. It comes as a pastille that can super cialis canada be sustained. You are advised to practice exercises best buy cialis regularly. In cialis on sale fact, impotence might not be associated with the aging method. While men are seen to be associated with consumption of oral http://appalachianmagazine.com/2016/11/21/map-shows-why-america-is-actually-comprised-of-11-different-nations/ discount levitra rx medication or undergoing surgery, and some men might not be comfortable with a few of these options. I got out my handy GMC (Goal, Motivation, Conflict) book and began to play “what if” and then finally came up with Ben Capshaw, my hero. And the rest wrote itself. (Sort of)

With my book Georgie on His Mind (that will be out October 2010), it started with a scene as well. I was inspired by a funny story told to me by a friend that reminded me of that movie Never Been Kissed. So when I went home that night, I immediately wrote a scene where the hero finds out his best friend’s sister had never been kissed before and she wanted him to enlighten her on the experience. I loved that scene so much and always looked at it for motivation with my characters. But I made Georgie a little less innocent in the end, and unfortunately that funny scene never made it into the first draft. Boo-hoo.

Do you write? What comes first for you? Character, scene, or something else entirely?