Does music play an important role in your writing? by Michael Leon – Guest Blog and Giveaway

I often listen to music to inspire me. Surprisingly, I don’t mind noise around as I write. A lot of my first drafts are penned in public places, such as cafes, beaches and parks. However, music that is special to me, summons some of my best creativity. I often say to myself and other writers, if what you write draws out strong emotions in you, it is usually good writing. All art can have that effect on me, writing, music, film and theatre.

Listening to music is a wonderful way to tap into your creativity. I cannot imagine a day without music or film to entertain and motivate me creatively. Writing Chandelier, I mainly listened to the operas by Guiseppi Verdi.

Music is a great way to evoke mood and thus enhance the dramatic impact of scenes. There were also a number of contemporary songs as well as operatic that influenced how I wrote Chandelier. Here are my top three.

The song that most impacted on my novel, Chandelier, also influenced the name of the novel! I listened to an Australian version of the hit song, Chandelier by Damien Rice and immediately imagined the scene where Benny is playing to an audience in a nightclub. Click on the link to hear the song.

Another haunting song by Melodie Gardot allowed me to imagine the finale where Viola is singing at the Garnier. It evoked emotions of a life that soared early but felt the bumps of tragedy and loss, then rebirth. Click on the link to hear the song.

Of course, Verdi’s opera of La Traviata was the backdrop for the whole novel. I chose that opera because it told the story of the downfall of a strong woman, Violetta. The atmospheric prelude evoked just the right emotions for my novel. Click on the tour banner to hear the song.

CHANDELIER is the genre-bending sci-fi/fantasy-romance novel follow up of Michael Leon’s 2019 fantasy-romance book, PHANTOMS. A century has passed since the fabled Phantom ruled the Garnier Opera House. Technology has advanced, and AI has evolved beyond human knowledge. They reside in a virtual Earth, free from the ravages of an environmentally damaged Earth where humans and post-humans live under AI’s qualified governance. CHANDELIER follows one AI sentient’s journey, Benny, whose loyalty for a famous opera singer, Madame D’Arenberg, sets him on a dangerous course, entangling him in The Phantom of the Opera’s deadly web.

Enjoy an Excerpt

A human whistling sound, distant but growing louder permeated the chill of the room. An unearthly chilled breath wafted over his face. He opened his eyes and looked up to its source, but he was alone, until light formed on the wall behind Gaston’s bed. Shapeless light swirled as if blown by that same breeze. The foggy disturbance slowed, allowing the swirling shape to take form. It was human but completely covered in black, bar the shape of a smooth ghost-like face. As the contours sharpened he realised it was a mask. Was he looking at the phantom? If he was, Gaston’s stories had all been real!

Fear gripped him to the seat. He wanted to flee but dared not move. Before the apparition suddenly looked Flynn’s way, turning his fear to terror.

“Who are you?” He asked feebly, but the apparition remained silent.

Flynn went to stand but a second shape appeared from behind him. A man dressed in white walked toward Gaston’s bed, making no sound as it glided across the room. Both apparitions studied the body for a time, ignoring Flynn before vanishing through the bedroom wall, leaving Flynn alone. He immediately stood and left the room, fearful they may return, not daring to look back. Whatever he witnessed, he didn’t wish to see again. Flynn was a scientist who staunchly refuted Gaston’s ramblings about ghosts as the product of a vivid imagination. They had spent many years arguing over their existence. Perhaps this was his friend’s final wish, to show him that everything he had written and said was true.

About the Author:Michael Leon is an explorer, writer and author of the new novel, Sentient. Professionally trained in international trade, Michael has spent the last decade reading and writing SFF novels about new worlds to be explored in the future. His latest work, Sentient, imagines Earth in the year 2120. His next novel, Chandelier, will be released in 2022. Michael has travelled extensively around Europe, walking the paths of his characters, from the famous European opera houses in Phantoms to the mountain tops of Switzerland in Emissary.

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