The Boy In The Headlights by Samuel Bjork

The Boy In The Headlights by Samuel Bjork
Publisher: Penguin, Random House
Genre: Contemporary, Mystery/Suspense/Thriller
Rating: 3 stars
Reviewed by Fern

Mindless killer? Or do they know exactly what they’re doing?

Winter 1996. An old man is driving home when his headlights catch an animal on the empty road up ahead. He stamps hard on the brakes. But it is not an animal at all. It is a young boy, frightened and alone, with a set of deer antlers strapped firmly to his head.

Fourteen years later, a body is found in a mountain lake. Within weeks, three people have died. Each time, the killer has left a clue, inviting Special Investigations Detectives Munch and Krüger to play a deadly game – a game they cannot possibly win. Against the most dangerous and terrifying kind of serial killer. One who chooses their victims completely at random.

To find the killer they must look deep within their own dark pasts, but how can you stop a murderer when you cannot begin to predict their next move?

Once again the Special Investigations team has been disbanded – only to be called together when three young people are murdered all in quick succession. Munch and Kruger are reunited again to solve the hardest cases Norway has to offer. The victims are random, baffling the team, and when they realise all sorts of distractions and misleading clues are being peppered throughout the series of cases they all struggle to figure out what is helpful and what is part of this killers game. A game the team isn’t sure they can win.

I have greatly enjoyed the other two books in this Scandinavian Noir series and this book is absolutely no exception. Slightly darker and grittier than many British and other police murder mysteries I really love how complicated and interwoven the plot is. With plenty of short, sharp chapters this author draws all sorts of characters and seemingly random scenes and skillfully weaves them into one giant plotline that all comes together at the end. Plenty of these scenes truly appear random – or potentially meaningless distractions – but I know from previous experience that it will all slot together somehow, I just can’t possibly see how until it’s all revealed.

While the tone and setting is certainly darker than many other books that I read, this story is not gory and nor does it use violence or the crimes as titillation. This is solidly a suspenseful murder mystery, but the feel and tone of the book is darker and grittier than plenty of others out there. Readers who like a bit more edge in their mysteries should find this style very appealing. I also really enjoy the fact that the police team really do work well together – but unlike many British police procedurals each character works quite solidly alone and not just as a cohesive part of the full team. I found that quite different to many other books where the style is more each character is a fully integrated part of a whole, whereas in this style of book many of the members work quite independently of each other, though they do all collaborate and freely share details and seek help from each other when needed.

There were quite a few sub-plots going on as well, Mia and her baggage from her dead twin sister, Munch and his daughter’s recovery, and I especially liked getting to know Curry a bit better in this book – his plotline was very well handled as well.

Readers who enjoy a slightly darker and stronger murder mystery should definitely give this a try. I have greatly enjoyed the two previous books in this series by this author and am eager to try the next one along.